Crack Addiction 750

Exposition: how does the writer work in exposition? What makes the exposition different from what you might find in an encyclopedia—in other words, how does she process the information to make it her own?

Craft: what moves might you steal from this essay?

Big Question: What’s the big question this writer is exploring in this essay? Where does she end up in terms of her answer? How does her view evolve through the course of the essay?

Turning to your own subject: Frame at least three questions about your topic. They should be arguable, and something you’re genuinely interested in exploring (If it feels like a boring academic exercise to you, imagine how boring it will be to your reader).

Next, pick the question you find most interesting and/or arguable. Do a little writing on both sides of your question. For instance, if your question is something like Should people be allowed to flip off a police officer? you might first do some writing on the Yes side, giving reasons and rationale for why we should give cops the bird, then turn around and make a case for the No side. It’s a good way to start exploring your question, and to avoid making up your mind prematurely.

For this last writing exercise, don’t look at your annotated bibliography or your sources. Just go from memory.

 

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Research III

The video module for citing sources is up on the assignment sheet; watch it this weekend, but do not invent drinking games to go along with it.

Here’s the master list of research circles across all my classes. I color-coded it to show the groups that might be able to collaborate, and I gave out a few cheesy nicknames.

Also, since some of you have asked about my book, I wanted to give you a heads-up that it has apparently just shown up at the campus bookstore. It’s the only bookstore on earth where you can buy your books pre-slobbered, so that’s awesome. 

Blue II loves him some lit-ra-chuh

Blue II loves him some lit-ra-chuh

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Research II: Evaluating Sources

A quick note about sources—the goal of this assignment is to learn as much as you can about your subject, particularly about its origin and evolution and other fundamental stuff like that. If you find that you’re just collecting a bunch of examples of your practice, you’ll want to go deeper.

Okay, onto evaluating sources. My teaching fellow, Michelle “M-Train” Trainor has put together another video tutorial. Because you’ll be commenting on these (and responding to each other’s comments), she’s made a separate tutorial for each class:

Section 39 (MW, 2:25) https://voicethread.com/share/4197575/

Section 40 (MW: 3:50) https://voicethread.com/share/4184594/

Section 41 (TR, 2:25) https://voicethread.com/share/4197601/

Section 42 (TR, 3:50) https://voicethread.com/share/4197603/

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Research: Go

Hey students,

Here are a few things that will help you get started with research.

Thing One is a video created by the teaching fellow in section 41, Michelle Trainor, to help you come up with search strategies. The link is on the assignment sheet (I put it on this post initially, but for some reason the blog wouldn’t play it).

Make sure you view this before launching into your research on Monday. When you do start your research, the lib guide for my class is a good home base. Lots of search tips & tutorials on there, as well as portals to the library databases.

Thing Two is the master list of research-driving questions created by all of you (and brilliantly organized by me).

Thing Three is the short list of prompts for the 750. These questions will help you access your existing knowledge about your subject, which is always a good early move with a project.

  • Write down everything you already know about your subject
  • What experiences have you had with this subject? What personal connections can you make?
  • Why did you choose this subject? What makes you want to learn more about this practice?
  • What controversies surround this subject (or what controversies can you imagine surrounding this subject)?

 

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Process-Writing Prompts for “Jealous Husband”

In class, we’ll start off by taking sides on the first two questions, which are mandatory for this 750. If we have time, we’ll sit down and talk about the other questions, which are optional for this 750.

Character (mandatory questions)

Do you think the wife is really fooling around while the guy is alive?  How much do you believe his version of events?  Hunt for textual evidence of his reliability or unreliability.

Is the husband a sympathetic character, or is he despicable?  Does your reading of his personality change at all through the course of the story?

Speaking of change . . .

Is there a change in this story? Or do you think it’s a story of a lost chance to change?

If you see a change, what is it?  What causes it?

What does the change (or the lost chance to change) mean in the larger context of the story?

Setting

What is the significance or symbolic weight of the cage?

Are there any other “cages” or cage imagery in this story?

The arrows-going-in-the-other-direction-question

This story might be said to be about jealousy.  In what ways is it about something else, something like love or generosity or compassion?  What moments of love or compassion stand out?

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