Faculty

Want to Write More This New Year?

If your New Year’s resolution is to write more, the esteemed faculty of Butler’s MFA has advice for you.

Hilene Flanzbaum – Professor, MFA Program Director

Routine is everything. Decide when and where you will write and let nothing keep you from establishing and maintaining said routine. Nothing.

Dan Barden- Professor

danbarden1_100x150 Start today.

 

 

 

 

Ben Winters- Continuing Instructor

 DSC_1809Stop worrying about word counts and instead think about time: not “how much did I write today?” but “for how long was I engaged in the project of writing today?” Set definitive goals — be it a half hour, an hour, or four hours — and strive nobly to meet them.  The word count will take care of itself.

 

Chris Forhan- Associate Professor

chrisforhanI once heard the poet Steve Orlen exclaim, “I’m writing more than ever!  It’s no wonder:  I’ve begun a new practice of ignoring my email until I’m done writing for the day.”  My advice:  turn off the technology.  Turn away from the screen and toward the window.  And toward yourself:  pay attention not to social media but to the unsocial medium of your own mind, of yourself whispering secrets to yourself.

Want to Write More This New Year?

If your New Year’s resolution is to write more, the esteemed faculty of Butler’s MFA has advice for you.

Hilene Flanzbaum – Professor, MFA Program Director

Routine is everything. Decide when and where you will write and let nothing keep you from establishing and maintaining said routine. Nothing.

Dan Barden- Professor

danbarden1_100x150 Start today.

 

 

 

 

Ben Winters- Continuing Instructor

 DSC_1809Stop worrying about word counts and instead think about time: not “how much did I write today?” but “for how long was I engaged in the project of writing today?” Set definitive goals — be it a half hour, an hour, or four hours — and strive nobly to meet them.  The word count will take care of itself.

 

Chris Forhan- Associate Professor

chrisforhanI once heard the poet Steve Orlen exclaim, “I’m writing more than ever!  It’s no wonder:  I’ve begun a new practice of ignoring my email until I’m done writing for the day.”  My advice:  turn off the technology.  Turn away from the screen and toward the window.  And toward yourself:  pay attention not to social media but to the unsocial medium of your own mind, of yourself whispering secrets to yourself.

Butler MFA in Print

Congratulations to our many MFA students, alum, and faculty who have been recently published. Congratulations and write on!

 

Faculty

Screen Shot 2015-01-08 at 7.58.20 AMThe Possibility of Joy,” written by MFA program director and professor Hilene Flanzbaum, has been chosen for inclusion in O’s Little Book Of Happiness, an anthology of articles by the magazine’s notable contributors. The essay originally appeared in the October 2007 issue of O, The Oprah Magazine. In addition, Hilene has recently published two poems. From the Midrashic sonnets, “Nehil’im” was published in the Massachusetts Review, Volume XV, no. 3, and “Sarah Speaks” was published in the Los Angeles Jewish Journal, October 14, 2014.

 

Chris Speckman, MFA alum and Butler’s Writing in the Schools professor and program coordinator, has two poems, “PSA for White American Men Who Listen to Hip Hop” and “Stamina”, forthcoming in Harpur Palate 14.2. Another poem, “Elegy for J Dilla”, is forthcoming in the anthology It Was Written: Poetry Inspired by Hip-Hop, edited by Jason McCall & P. J. Williams, which will be published by Minor Arcana Press in 2016.

 

32Poems_Spring2014_Final-402x612Poetry Professor, Alessandra Lynch’s poem “Magnolia” was nominated for the Pushcart Prize by 32 magazine.

Students

Laura Kindall’s personal essay, “Inheritance” will be in the upcoming issue of The Tahoma Literary Review.

 

product_thumbnail.phpLuke Wortley’s story, “Sarah” is now available online at Pea River Journal 

 
 
 

An interview with visiting professor Alix Lambert in which she discusses her new documentary, Mentor, recently appeared in The Rumpus.

 

Susan Lerner’s personal essay, “Mac and Me” is also up at The Rumpus.

 

John Eckhart published a prose poem called “Shadowboxing” with Bareknuckle Poet.

 

Emma Hudelson has several articles printed in The Elephant Journal , including “It’s all about the Benjamins”.

 

postcard-1-1Kaveh Akbar’s blog Divedapper was highlighted at The Rumpus. He also published “The Poet and his
Postcards” at The Awl.

 
 

Zach Roth and Luke Wortley published the third issue of Axolotl Magazine.

 

Alumni

Alex Mattingly participated in a reading for IndeTale, now available at IndeTale podcast.

 

Eliza Tudor recently published a story in Chicago’s Graze Magazine.

 

Natalie Solmer’s poem “It Was Mango Season” is forthcoming in Louisville Review Spring 2015.

 

Tracy Mishkin’s chapbook, I Almost Didn’t Make It to McDonald’s, was published by Finishing Line Press in August 2014. She also took second place in the Fountain Square Masterpiece in a Day contest with her poem “Masterpiece in an Hour,” which is featured in Punchnel’s. “Portrait of My Son from Several Angles” and “Judgment Call” appeared on the blog Monday Coffee and Other Stories.

The Theme of Tonight’s Party…

is community. Poetic excellence. Celebrating grand accomplishments. The awesomeness of Butler’s MFA program.

Though all these themes apply, what really matters is making the most of tonight’s party at the ECCW, a Conversations @ reading at 7:30 p.m. starring two Butler MFA faculty members on the poetry side, Dana Roeser and Chris Forhan.

Permit me to use first names since I was privileged enough to have both Dana and Chris for workshop during my final year in the MFA program. Each are remarkably different poets and professors, and I mean this in the most complimentary way possible. Both have mastered a style and approach that suits their respective personalities.

roeserOne of the chief causes for celebration tonight is the recent publication of Dana’s new collection The Theme of Tonight’s Party Has Been Changed, which won the prestigious Juniper Prize for Poetry, presented by the University of Massachusetts Press. Her two previous books of poetry, Beautiful Motion and In the Truth Room, both received the Samuel French Morse Poetry Prize.

In her expansive poems, which tend to be confessional, domestic, and spiritual all at once, Dana’s verse exemplifies the book’s title, following her stream of consciousness as it zigs and zags its way to vital truths, often flipping themes at the drop of a line.

In one of my favorite poems from the collection, “A Fan, A Hair Dryer, An Air Conditioner: Feast of the Pentecost at Target Supercenter,” the form captures the unstoppable kinetic energy of Dana’s brain, which processes mortality and the existential comforts of Target simultaneously.

I can’t stand—

I mean I really can’t

abide—death. Target stays

sparkling clean and perky, at least

the part I can see,

and I try not to remember

the freight cars I saw

before coming

in here, at dusk. One by

one lined up

like huge white

refrigerators on their sides, or,

as has often been

said, coffins. Fired up

and headed to their

destiny, the trees

above, boiling

in the stiff wind,

their green tongues

of flame wagging.

forhanThough Chris has collected poetry prizes for his three collections (his own Samuel French Morse, in addition to the Barrow Street Press Poetry Prize and the Bakeless Prize), he spent his fall semester on sabbatical working on a memoir that promises to illuminate a moving life story.

I am unsure whether Chris will be reading from his new project or even his new chapbook of old poems Ransack and Dance, released in September by Silver Birch Press (read more about it here). The theme of tonight’s party is surprise.

The theme of Chris Forhan’s work is curiosity, compactness, density. I’m partial to his 2003 collection The Actual Moon, The Actual Stars. Unlike Dana’s sweeping lines that bend towards profundity, check out the cohesion and concision of Chris’ poem “The Fidgeting,” in which every syllable seems irrevocable:

Easy to make prayers to the darkness, to break bread
with the inconceivable. Harder to love

the moon—dusty dead-white relic
in the star museum, bald and obvious

as a drunken uncle. Hard to find worth
in the crooked pine that creaks

outside the kitchen window, every twig
a wagging finger as it lectures

on the miracle of the physical world.

The theme of tonight’s party is whatever you make it. Consider this your formal invitation.

The Theme of Tonight’s Party…

is community. Poetic excellence. Celebrating grand accomplishments. The awesomeness of Butler’s MFA program.

Though all these themes apply, what really matters is making the most of tonight’s party at the ECCW, a Conversations @ reading at 7:30 p.m. starring two Butler MFA faculty members on the poetry side, Dana Roeser and Chris Forhan.

Permit me to use first names since I was privileged enough to have both Dana and Chris for workshop during my final year in the MFA program. Each are remarkably different poets and professors, and I mean this in the most complimentary way possible. Both have mastered a style and approach that suits their respective personalities.

roeserOne of the chief causes for celebration tonight is the recent publication of Dana’s new collection The Theme of Tonight’s Party Has Been Changed, which won the prestigious Juniper Prize for Poetry, presented by the University of Massachusetts Press. Her two previous books of poetry, Beautiful Motion and In the Truth Room, both received the Samuel French Morse Poetry Prize.

In her expansive poems, which tend to be confessional, domestic, and spiritual all at once, Dana’s verse exemplifies the book’s title, following her stream of consciousness as it zigs and zags its way to vital truths, often flipping themes at the drop of a line.

In one of my favorite poems from the collection, “A Fan, A Hair Dryer, An Air Conditioner: Feast of the Pentecost at Target Supercenter,” the form captures the unstoppable kinetic energy of Dana’s brain, which processes mortality and the existential comforts of Target simultaneously.

I can’t stand—

I mean I really can’t

abide—death. Target stays

sparkling clean and perky, at least

the part I can see,

and I try not to remember

the freight cars I saw

before coming

in here, at dusk. One by

one lined up

like huge white

refrigerators on their sides, or,

as has often been

said, coffins. Fired up

and headed to their

destiny, the trees

above, boiling

in the stiff wind,

their green tongues

of flame wagging.

forhanThough Chris has collected poetry prizes for his three collections (his own Samuel French Morse, in addition to the Barrow Street Press Poetry Prize and the Bakeless Prize), he spent his fall semester on sabbatical working on a memoir that promises to illuminate a moving life story.

I am unsure whether Chris will be reading from his new project or even his new chapbook of old poems Ransack and Dance, released in September by Silver Birch Press (read more about it here). The theme of tonight’s party is surprise.

The theme of Chris Forhan’s work is curiosity, compactness, density. I’m partial to his 2003 collection The Actual Moon, The Actual Stars. Unlike Dana’s sweeping lines that bend towards profundity, check out the cohesion and concision of Chris’ poem “The Fidgeting,” in which every syllable seems irrevocable:

Easy to make prayers to the darkness, to break bread
with the inconceivable. Harder to love

the moon—dusty dead-white relic
in the star museum, bald and obvious

as a drunken uncle. Hard to find worth
in the crooked pine that creaks

outside the kitchen window, every twig
a wagging finger as it lectures

on the miracle of the physical world.

The theme of tonight’s party is whatever you make it. Consider this your formal invitation.

Lynda Barry joins Chamonix faculty

New addition to Butler's Chamonix Summer Writing ProgramsIn case you’ve missed our coverage of it over the course of the semester, the Butler MFA program has a new summer program that whisks students away to scenic, historic Chamonix, France. For the straight details, you can visit the Chamonix Summer Writing Programs website. Or, for a more personal, narrative take, might I guide you to one of our three Chamonix Memorixs pieces, generously contributed by Jim Hanna, Farhard Anwarzai, and Lisa Renze-Rhodes? Aside from its picturesque vistas, wine and gourmet cheeses, our Chamonix program also boasts a stable of beast writers for 2014. Spanning poetry, prose and non-fiction, our list includes Erin Belieu, Dan Chaon, Michael Dahlie, Terrance Hayes, Ann Hood, and Cheryl Strayed. So you can imagine the great excitement with which we tell you that we’ve added Lynda Barry to our roster. Continue reading